Good news: Noah Cicero’s novel ‘The Insurgent’ is out via BLATT Books very soon. This is always a good thing. Cicero is the real thing. To me he is a pure writer, he simply writes, he writes all the time, his books matter and he NEVER compromises.
“Writing delights me. That's nothing new. That's the only thing that still supports me, that will also come to an end. That's how it is. One does not live forever. But as long as I live I live writing. That's how I exist. There are months or years when I cannot write. Then it comes back. Such rhythm is both brutal and at the same time a great thing, something others don't experience.”
I like to think that that is also how a writer like Noah Cicero exists; through writing; existing to write; writing to exist – and all the other bits in-between, of course.
I have a difficult relationship with writing. I didn’t realise I had until I read Maurice Blanchot and Samuel Beckett. Although I have always been aware of Heidegger’s notion: why is there something rather than nothing? (the question which both Blanchot and Beckett try to address in writing) For a long time I never really connected this to writing in any way shape or form. Blanchot and Beckett unlocked a newer understanding of this (writing and being). Writing, you see, I find the whole thing very tiring. I am at my happiest when the writing is finished. Though, there is something in the build-up to writing: when it springs from the depths, the darkness, up into the conscious mind, where it remains, swimming around there day in day out, at night in my dreams, when I awake, sitting on the bus, or walking down the street . . . and that beautiful urge to write it all down consumes me. Because if I don’t I might lose this urge, these things might sink back down, never to resurface. And it’s that which compels me, the fear of losing this explosion within me. I feel I need to try and capture it as best I can. I like that part. But the physical act, this, the typing, the stringing the words together, moving the black lines across the page, fills me with a kind of terror that is hard to describe. The terror induced by the slide, the fear of things slipping back down to where they came from.
All this, of course, means that I have to write, that writing is me, more that just part of me. I suppose I write because I have been given a system, a method of doing this, something that isn’t mine and never will be: language. So, from wherever this all springs from these given words have to be written.
But, this doesn’t mean that writing is the most important thing in my life. It’s not. It couldn’t be. How can it be? There is so much more to life than this.
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